Characters often storm on- and offstage from the wings. There is no audience save for the viewer. In a bar scene, for example, the stools, the bar itself, and important objects are three-dimensional props, but the liquors and glasses and mirror behind the bar are painted. Actors inhabit key moments in Fassbinder's life on stage sets with minimal props. And it's so crucial to making "Enfant Terrible" work that this problem-might as well go ahead and call it a failing-undoes whatever magic that the film can work.īuilt around a bulldozer of a lead performance by Oliver Masucci-who carries on with rough-trade swagger, portraying Fassbinder as a demonic bully who gets into people's heads-the entire story is presented as if it were an early Fassbinder experiment, half-in and half-out of the late-1960s black box theater scene. Röhler's "Enfant Terrible" never gets a handle on that aspect of Fassbinder, that essential question. How can a single, feature-length motion picture capture such a titanic personality, with this many contradictions? And most of all, how can it walk that knife-edge, showing us why people believed in Fassbinder and wanted to give him money, work with him, and sleep with him, even as he smashed and burned his way through the international film scene, leaving ruin in his path? Fassbinder was also known to be dictatorial, abusive, chaotic, self-dramatizing, unreliable, and a lot of other unflattering adjectives: the kind of "difficult genius" who seemed as if he was worth the grief during and immediately after production, but whose cruelties scarred his collaborators. His formally precise yet often expressionistic approach influenced many filmmakers, including Paul Verhoeven ("Soldier of Orange" and "Spetters" seem to have an especially strong Fassbinderian streak), Martin Scorsese (" Mean Streets" and " Taxi Driver" in particular for a while, Scorsese employed Fassbinder's regular cinematographer, Michael Ballhaus) and Bob Fosse (whose affinity for Federico Fellini and Stanley Kubrick is well-documented, but in retrospect had a lot of Fassbinder in him). Due to his secretive nature, it is really hard to about his love life.His films were intensely sexual, openly emotional, and psychologically as well as physically violent, often dealing with the authoritarian impulse in private lives as well as societies. Michael’s recent relationship status married. What Is Michael Klammer Relationship Status? Is He Single Or Dating? As per some online sites, Michael Klammer has an estimated net worth of $300,000 in February 2021. Currently, in 2020, he also played the role of Günther Kaufmann in the German drama movie Enfant Terrible starring Oliver Masucci, Katja Riemann, Jochen Schropp, André Hennicke, Christian Berkel, and Eva Mattes.Ĥ1 years old star has altogether 25 acting credits under his name. Klein, Lux: Warrior Light, Bier Royal, Tatort, Arthurs Geserz, and others.Īlso, Transfer’s actor is a part of films and television series such as Head Full of Honey, Leif in Concert, Shades of Guilt, and WaPo Berlin. Furthermore, his other notable acting credits include SOKO Stuttgart, Harter Brocken, Dr. In 2016, Michael portrayed Damie Crowd in the film Tschiller: Off Duty alongside Til Schweiger, Fahri Yardim, Luna Schweiger, and Egor Pazenko.
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